“Laughing with a Mouth of Blood”: St. Vincent’s Gothic Grotesque

Many of St. Vincent’s songs, videos, and stage acts use grotesque scenarios and images to examine the roles we play and the identities we create and embody as well as the anxieties associated with them. They employ “exaggeration, distortion, or unexpected combination” to construct and inhabit subjectivities that are inescapably hybrid and often monstrous: simultaneouslyContinue reading ““Laughing with a Mouth of Blood”: St. Vincent’s Gothic Grotesque”

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Virtual Book Launch Women in Rock, Women in Romanticism

I’m pleased to announce the publication of Women in Rock, Women in Romanticism (Routledge, 2022), which is the first book-length work to explore the interrelationships among contemporary female musicians and eighteenth- and nineteenth-century art, music, and literature by women and men. The music and videos of contemporary musicians including Erykah Badu, Beyoncé, The Carters, MissyContinue reading “Virtual Book Launch Women in Rock, Women in Romanticism”

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What David Bowie Had to Say About Donald Trump and Fascism

Bowie was prescient, and he saw in advance where the United States was heading.

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Rock and Romanticism on RCRR

Many thanks to the website Romantic Circles Reviews and Receptions for inviting me to guest post to their blog about my Rock and Romanticism titles, and many thanks to Suzanne Barnett for inviting me to do so.

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Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms

Rock and Romanticism: scholarship with a soundtrack. Yes, I have two anthologies with the main title Rock and Romanticism. The first was published early February 2018 by Lexington Books, and was focused on Blake and Wordsworth and, very generally, the genre of classic rock. This second book is Rock and Romanticism: Post-Punk, Goth, and Metal as DarkContinue reading “Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms”

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