Clapton, Beck, and Page: The Yardbirds Guitarists Project

Before I post my playlists, you’re probably wondering… now that I’ve listened to all available Clapton, Beck, and Page from the 1960s to 2023, which one is the best guitarist? It’s an obvious question, but a misguided one. Here’s what I’ve come to think:

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The Shape of Beckett’s Waiting

I recently recovered a first-semester graduate paper of mine about Samuel Beckett’s play Waiting for Godot. I believe I wrote it as a final paper for a graduate class on Irish literature taught by Dr. John Warner. He advocated for my admission to the program on the basis of my senior undergraduate honor’s thesis onContinue reading “The Shape of Beckett’s Waiting”

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Bob Dylan’s The Philosophy of Modern Song

If Dylan died tomorrow, this book would be a fitting last word.

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Frontwomen in Rock

I just created an iTunes playlist titled “Frontwomen in Rock” inspired by Samantha Fish’s recent live performance in Ft. Lauderdale, where she was opening for Kenny Wayne Shepherd. But it’s a very small playlist because I have narrow criteria: So I’m not thinking of your usual frontwomen — singer only, or singer and rhythm orContinue reading “Frontwomen in Rock”

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“A Woman with an Attitude”: Male and Female Gothic and Siouxsie and the Banshees

Notably, the [1976 Thames Television interview with the Sex Pistols] also showcases Siouxsie’s measured response, one that encapsulates what her life and music has always been about — a challenge to patriarchal structures through measured control mixed with playful dismissiveness. Diana Edelman, Women in Rock, Women in Romanticism, p. 123 Diana Edelman contributed chapter 6Continue reading ““A Woman with an Attitude”: Male and Female Gothic and Siouxsie and the Banshees”

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