I just created an iTunes playlist titled “Frontwomen in Rock” inspired by Samantha Fish’s recent live performance in Ft. Lauderdale, where she was opening for Kenny Wayne Shepherd. But it’s a very small playlist because I have narrow criteria: So I’m not thinking of your usual frontwomen — singer only, or singer and rhythm orContinue reading “Frontwomen in Rock”
Tag Archives: women in rock
Pete Townshend and World War II
I have three iTunes playlists dedicated to The Who — 1960s, 1970s, and 1980s to the present — and I can’t listen through them without being impressed, over and over again, by Pete Townshend’s genius. Record sales aside, his creative accomplishments exceed that of the Beatles, Dylan, or the Rolling Stones throughout the 60s andContinue reading “Pete Townshend and World War II”
“Laughing with a Mouth of Blood”: St. Vincent’s Gothic Grotesque
Many of St. Vincent’s songs, videos, and stage acts use grotesque scenarios and images to examine the roles we play and the identities we create and embody as well as the anxieties associated with them. They employ “exaggeration, distortion, or unexpected combination” to construct and inhabit subjectivities that are inescapably hybrid and often monstrous: simultaneouslyContinue reading ““Laughing with a Mouth of Blood”: St. Vincent’s Gothic Grotesque”
“Our Generation”: Gender, Regeneration and Women in Rock
The rock revolution was often connected with male performers and masculine energy; as critics of gender and rock have noted, “rock’n’roll in excelsis… [is] male ferocity, resentment, [and] virulence” …as rock was the aesthetic of masculine energy in the 1960s, the French Revolution expressed its aesthetic energy in Romanticism, which dominated art, literature, and musicContinue reading ““Our Generation”: Gender, Regeneration and Women in Rock”
“A Woman with an Attitude”: Male and Female Gothic and Siouxsie and the Banshees
Notably, the [1976 Thames Television interview with the Sex Pistols] also showcases Siouxsie’s measured response, one that encapsulates what her life and music has always been about — a challenge to patriarchal structures through measured control mixed with playful dismissiveness. Diana Edelman, Women in Rock, Women in Romanticism, p. 123 Diana Edelman contributed chapter 6Continue reading ““A Woman with an Attitude”: Male and Female Gothic and Siouxsie and the Banshees”
The Philosophy of Contemporary Song 