Bob Dylan’s The Philosophy of Modern Song

If Dylan died tomorrow, this book would be a fitting last word.

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A New Poetic Form: The Hourglass Sestina

I’ve been working with artist, photographer, and documentary filmmaker Lee Fearnside on an illustrated collection of poems titled The Fantastic Bestiary. During the writing process for this collection, I came up with the idea of an abbreviated sestina form that would usually take the approximate shape of an hourglass if centered on the page. ThoseContinue reading “A New Poetic Form: The Hourglass Sestina”

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“I Can’t Believe We Made It”: Romanticism and Afropresentism in Works of African-American Women Hip Hop and R’n’B Artists

Another problematic of Romanticism for rock (and therefore North American pop music in general) is Romanticism’s pernicious racism, which I will show instigated the very origins of rock and roll. Romantic ideologies of racial categories and hierarchies fed into the mythologies of white artists drawing from supposedly vulgar, primitive Black music for sexuality, physicality, andContinue reading ““I Can’t Believe We Made It”: Romanticism and Afropresentism in Works of African-American Women Hip Hop and R’n’B Artists”

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“Our Generation”: Gender, Regeneration and Women in Rock

The rock revolution was often connected with male performers and masculine energy; as critics of gender and rock have noted, “rock’n’roll in excelsis… [is] male ferocity, resentment, [and] virulence” …as rock was the aesthetic of masculine energy in the 1960s, the French Revolution expressed its aesthetic energy in Romanticism, which dominated art, literature, and musicContinue reading ““Our Generation”: Gender, Regeneration and Women in Rock”

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“A Woman with an Attitude”: Male and Female Gothic and Siouxsie and the Banshees

Notably, the [1976 Thames Television interview with the Sex Pistols] also showcases Siouxsie’s measured response, one that encapsulates what her life and music has always been about — a challenge to patriarchal structures through measured control mixed with playful dismissiveness. Diana Edelman, Women in Rock, Women in Romanticism, p. 123 Diana Edelman contributed chapter 6Continue reading ““A Woman with an Attitude”: Male and Female Gothic and Siouxsie and the Banshees”

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