Women in Rock, Women in Romanticism Now Available from Routledge

Women in Rock, Women in Romanticism (Routledge 2022) is the first book-length work to explore the interrelationships among contemporary female musicians and eighteenth- and nineteenth-century art, music, and literature by women and men. The art, music, and videos of contemporary artists including Erykah Badu, Beyoncé, The Carters, Missy Elliot, the Indigo Girls, Janet Jackson, Janis Joplin (and Big Brother and the Holding Company), Natalie Merchant, Joni Mitchell, Janelle Monáe, Alanis Morrisette, Siouxsie Sioux, Patti Smith, St. Vincent (Annie Clark), and Alice Walker are explored through the lenses of the pastoral, Afropresentism, the Gothic, male and female Gothic, and the music and literature of Hélène Cixous, William Blake, Beethoven, Arthur Schopenhauer, Samuel Taylor Coleridge, Charlotte Dacre, Ralph Waldo Emerson, E.T.A. Hoffmann, Ann Radcliffe, William Shakespeare, Mary Shelley, her husband Percy Shelley, Henry David Thoreau, Horace Walpole, Jane Williams, Mary Wollstonecraft, and William Wordsworth to explore how each sheds light on the other, and how women have appropriated, responded to, and been inspired by the work of authors from previous centuries.

Contributors to Women in Rock, Women in Romanticism (Routledge 2022) participated in a virtual book launch on Saturday, November 19th, 2022. You can meet the contributors and listen to them discuss their chapters here:

Table of Contents

Introduction, James Rovira

1. Are Women in Rock also Women in Romanticism?, James Rovira

2. Jane Williams, Rolling Stone: Reconstructing British Romanticism’s Guitar God(dess), Rebecca Nesvet

3. “Work Me, Lord”: Janis Joplin’s Kozmic Blues, Sasha Tamar Strelitz

4. “All Romantics Meet the Same Fate Someday”: Joni Mitchell, Blue, and Romanticism, Christopher R. Clason

5. “There is no pure evil, nor pure good, only purity”: William Blake’s and Patti Smith’s Art as Opposition to Societal Boundaries. Alicia Carpenter

6. “A Woman with an Attitude”: Male and Female Gothic in Siouxsie and the Banshees, Diana Edelman

7. “Our Generation”: Gender, Regeneration and Women in Rock, Linda C. Middleton

8. “Laughing with a Mouth of Blood”: St. Vincent’s Gothic Grotesque, Sherry R. Truffin

9. “I can’t believe we made it”: Romanticism and Afropresentism in Works of African American Female Hip Hop and R‘n’B Artists, Kirsten Zemke


If you’d like to support the author, purchase a copy directly from him through PayPal

Women In Rock, Women in Romanticism

Women in Rock. Women in Romanticism (Routledge, 2022) is the first book-length work exploring the interrelationships among contemporary women rock musicians and eighteenth- and nineteenth-century art and literature, the literature of the Romantic era. LIMITED QUANTITIES ONLY available at a 37% discount.



Published by James Rovira

Dr. James Rovira is higher education professional with twenty years experience in the field in teaching, administration, and advising roles. He is also an interdisciplinary scholar and writer whose works include fiction, poetry, and scholarship exploring the intersections of literature and philosophy, literature and psychology, literary theory, and music and literature.. His books include Women in Rock, Women in Romanticism (Routledge, 2023); David Bowie and Romanticism (Palgrave Macmillan, 2022); Writing for College and Beyond (a first-year composition textbook (Lulu 2019)); Reading as Democracy in Crisis: Interpretation, Theory, History (Lexington Books 2019); Rock and Romanticism: Blake, Wordsworth, and Rock from Dylan to U2 (Lexington Books, 2018); Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms (Palgrave Macmillan, 2018); and Blake and Kierkegaard: Creation and Anxiety (Continuum/Bloomsbury, 2010). See his website at jamesrovira.com for details.

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