AI and Talking Heads, Part III: Why Sentient Machines Will Never Exist

In my previous post, I made a distinction between “Strong” AI and “Weak” AI and then went on to describe how Weak AI works. I explained that Large Language Models such as ChatGPT convert words to numbers and then calculate the statistically most probable words and sentences that will follow any given words and sentences.Continue reading “AI and Talking Heads, Part III: Why Sentient Machines Will Never Exist”

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High Fidelity, Then and Now

High Fidelity then starred John Cusack as an immature, self-absorbed record store owner who, because of a recent, painful breakup with his girlfriend Laura (perf. Iben Hjejle), went on a tour of self-discovery through conversations with all of his ex girlfriends. He handles his breakup, which is the opening scene of the film, with theContinue reading “High Fidelity, Then and Now”

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Pete Townshend and World War II

I have three iTunes playlists dedicated to The Who — 1960s, 1970s, and 1980s to the present — and I can’t listen through them without being impressed, over and over again, by Pete Townshend’s genius. Record sales aside, his creative accomplishments exceed that of the Beatles, Dylan, or the Rolling Stones throughout the 60s andContinue reading “Pete Townshend and World War II”

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“I Can’t Believe We Made It”: Romanticism and Afropresentism in Works of African-American Women Hip Hop and R’n’B Artists

Another problematic of Romanticism for rock (and therefore North American pop music in general) is Romanticism’s pernicious racism, which I will show instigated the very origins of rock and roll. Romantic ideologies of racial categories and hierarchies fed into the mythologies of white artists drawing from supposedly vulgar, primitive Black music for sexuality, physicality, andContinue reading ““I Can’t Believe We Made It”: Romanticism and Afropresentism in Works of African-American Women Hip Hop and R’n’B Artists”

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Full iTunes Playlist for Women in Rock, Women in Romanticism

Here’s the full iTunes playlist for Women in Rock, Women in Romanticism (Routledge 2022): click the image.

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