All future updates will be posted to the blog, which has the CFP, information for contributors, ideas for future papers, videos of the songs featured in the anthology (building that up now) and, soon to come, a contributor list and a music player. My two previous posts about the anthology are still available on this site, but that information has been updated and better organized on the new blog.
I’m happy to announce that the exhibit Blake in the Heartland has opened, and that Tiffin University is hosting a number of events this week related to this exhibit that are open to the public. Organized by Lee Fearnside and James Rovira of Tiffin University, Blake in the Heartland is a celebration of the work of British poet and printmaker William Blake, who continues to inspire responses to his work in art, television, film, and music.
This exhibit features reproductions of Blake’s works by Blake scholar and curator Dr. Michael Phillips, who has curated major Blake exhibits at the Ashmolean at Oxford, the Metropolitan Museum of Art in New York, the Tate in London, the University of Toronto, and the Petite Palais in Paris. Dr. Phillips will be lecturing on his curating experiences as well as on Blake’s printmaking methods.
It also includes creative responses to the work of Blake by regional artists Robert McFate (Ohio) and Emily Brandehoff (KY), who originally developed these works for the exhibit INNCE/EXPCE. Curated by Keith Banner, this exhibit ran from June 28th to August 10th, 2013 at Thunder-Sky Gallery, Inc., in Cincinnati, OH.
Schedule of Events
9:30 a.m. – Lecture by Dr. Michael Phillips on his curating experiences. Lecture presented in the Diane Kidd Gallery (coffee and light refreshments served).
1:00 p.m. – Printmaking demonstration for Tiffin University students in Hayes Center Room 111. Space is limited and registration is required; email email@example.com.
6:30 p.m. – Lecture by Dr. Michael Phillips, “Printing in the Infernal Method: William Blake’s Method of Illuminated Printmaking” in Chisholm Auditorium (Frank’s Hall).
9:30 a.m. – Demonstration of Blake’s printmaking techniques in Hayes Center Room 111 for area high school students. Space is limited and registration is required; email firstname.lastname@example.org.
5:30 p.m. – Closing reception with artists’ talks in the Diane Kidd Gallery.
About William Blake
William Blake (1757-1827) was an English poet, printmaker, and painter whose work engages such topics as the American Revolutionary War, the French Revolution, slavery, psychology, mythology, politics, and religion. Blake continues to inspire artists in a variety of media. Lines of Blake’s poems or his visual works unexpectedly appear in films such as Mean Streets, Bladerunner, The Dangerous Lives of Altar Boys, Dead Man, and Red Dragon. He has been particularly influential in music since the 1960s, inspiring the name for the band The Doors as well as several musical adaptations of his poems. More recently, Martha Redbone’s 2012 album The Garden of Love sets twelve of Blake’s songs to blues and folk music.
The exhibition is available for public viewing from March 19 through April 9, 2015.
Dr. James Rovira and Prof. Lee Fearnside would like to thank the Ohio Arts Council for the grant that helped make this exhibit and related events possible, and Columbian High School of Tiffin, OH for their letter of support, which helped us acquire the grant. We would also like to thank Tiffin University’s Alumni Association, the School of Arts and Sciences, and the School of Graduate and Distance Education for their support.
For more information, contact Lee Fearnside, Director of the Diane Kidd Gallery, at 419-448-3427 or by email at email@example.com.
If you are interested in having Michael Phillips visit your institution, or would like more information about a possible visit, please email James Rovira at firstname.lastname@example.org.
- Michael Phillips’s biography for the Special Collections library at Emmanuel College.
- Dr. Michael Phillips demonstrating Blake’s printmaking methods for the British Library.
- Publications by Michael Phillips:
- Michael Phillips’s exhibit at the Ashmolean Library at Oxford University.
- A review of Michael Phillips’s presentations at the College of Holy Cross in Worcester, MA by Dr. Virginia Ragunin for New York Arts magazine. This exhibit was similar to that hosted by Tiffin University in March-April 2015.
- An article about Michael Phillips’s major exhibit at the Tate Museum in London in History Today.
Great news: I happened to visit WorldCat for another reason today and, while there, checked the status of my book Blake and Kierkegaard: Creation and Anxiety. According to Worldcat, as of January 17th, 2015 my book has been purchased by 732 libraries/locations around the world. It’s currently available at (mostly university) libraries in the following countries or territories:
Bosnia and Herzegovina
United Arab Emirates
That’s 60 countries on six continents. Someone needs to set up a library in Antarctica. If there is one down there, hey guys — would you buy a copy of my book? Ha.
Needless to say, I’m very pleased. If you’re not familiar with academic publishing in the humanities, over 700 libraries isn’t an academic bestseller, but it isn’t bad at all either. The predictable minimum sales for an academic book is around 200-300 copies, and very low-end publishers like Mellen set royalty payouts at around 500 copies over the first five years to almost ensure that no author will ever get royalties for their book — because most academic books don’t sell that many copies. By the way, after five years full ownership reverts to Mellen, so the author will never see royalties after that — don’t publish with Mellen unless you’re willing to give up ownership of your work forever. I highly recommend working with Bloomsbury/Continuum.
I’m very grateful to the faculty (both library and humanities) who supported the purchase of my book. I think I know who made the recommendations in Singapore and Croatia: thank you both, especially since it seems to be in most or all of the major libraries in Croatia. I was fortunate that Continuum/Bloomsbury published it, because they’re one of the better publishers. An academic publisher who actually backs their own product is a rare thing these days, and publishing with Continuum was a great experience. Excellent editorial process despite a few glitches, which were my own.
I’m especially grateful to Michael Phillips, Sherry Truffin, and Sheridan Lorraine for being my book’s first readers and for their valuable insight and editorial assistance.
I’ve also been fortunate enough to have had the book reviewed four times, so I’m very grateful to the reviewers for their work reviewing my book and for helping to spread the word, and I need to extend that gratitude to the journals that published these reviews. You can read excerpts of these reviews and find links to them on my book page.
The schedule has now been set and registration is open for William Blake’s Manuscripts: A One-Day Symposium. This symposium will be held at the Huntington Library on June 7th, 2013, and the list of Blake luminaries speaking include (in alphabetical order) Luisa Calé, Mark Crosby, Morris Eaves, Alexander Gourlay, Steve Hindle, Rachel Lee, Joseph Viscomi, Angus Whitehead, and John Windle. Attendance costs $31.50 and includes lunch, introductory remarks, two plenary sessions, two panels, and closing remarks by Mark Crosby (lunch is optional: conference registration alone is $15.00 and free for students). I would encourage anyone interested in Blake and able to travel to San Marino, California in June to take advantage of this opportunity.