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James Rovira

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  • A New Poetic Form: The Hourglass Sestina

    A New Poetic Form: The Hourglass Sestina

    I’ve been working with artist, photographer, and documentary filmmaker Lee Fearnside on an illustrated collection of…

  • Pete Townshend and World War II

    Pete Townshend and World War II

    I have three iTunes playlists dedicated to The Who — 1960s, 1970s, and 1980s to the…

  • “I Can’t Believe We Made It”: Romanticism and Afropresentism in Works of African-American Women Hip Hop and R’n’B Artists

    “I Can’t Believe We Made It”: Romanticism and Afropresentism in Works of African-American Women Hip Hop and R’n’B Artists

    Another problematic of Romanticism for rock (and therefore North American pop music in general) is Romanticism’s…

  • “Laughing with a Mouth of Blood”: St. Vincent’s Gothic Grotesque

    “Laughing with a Mouth of Blood”: St. Vincent’s Gothic Grotesque

    Many of St. Vincent’s songs, videos, and stage acts use grotesque scenarios and images to examine…

  • “Our Generation”: Gender, Regeneration and Women in Rock

    “Our Generation”: Gender, Regeneration and Women in Rock

    The rock revolution was often connected with male performers and masculine energy; as critics of gender…

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