“I Can’t Believe We Made It”: Romanticism and Afropresentism in Works of African-American Women Hip Hop and R’n’B Artists

Another problematic of Romanticism for rock (and therefore North American pop music in general) is Romanticism’s pernicious racism, which I will show instigated the very origins of rock and roll. Romantic ideologies of racial categories and hierarchies fed into the mythologies of white artists drawing from supposedly vulgar, primitive Black music for sexuality, physicality, andContinue reading ““I Can’t Believe We Made It”: Romanticism and Afropresentism in Works of African-American Women Hip Hop and R’n’B Artists”

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“Laughing with a Mouth of Blood”: St. Vincent’s Gothic Grotesque

Many of St. Vincent’s songs, videos, and stage acts use grotesque scenarios and images to examine the roles we play and the identities we create and embody as well as the anxieties associated with them. They employ “exaggeration, distortion, or unexpected combination” to construct and inhabit subjectivities that are inescapably hybrid and often monstrous: simultaneouslyContinue reading ““Laughing with a Mouth of Blood”: St. Vincent’s Gothic Grotesque”

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